Scott M. Haskins, author of “How To Save Your Stuff From A Disaster,” has worked in the US and Europe as a professional art conservator since 1975. He works with the general public, historical societies, museums, corporations, private collectors, art galleries, city, state and federal governments.
He is also an expert witness in the Los Angeles Supreme Court system and on the part of the federal government regarding public art issues. He routinely provides consultation services, surveys and assessments and provides expert written content. He has done consultation work for a long list of notable organizations including the General Services Administration of the US Government, Pope Paul III’s family, the Shroud of Turin project, the Historical Dept of the Church of Jesus Christ of Latter-day Saints and the Getty Conservation Institute among many others. His firm routinely collaborates with insurance companies in responding to accidents.
Besides authoring “How To Save Your Stuff From A Disaster,” he has written dozens of articles on what to do to take care of valuable (financial, historical or emotional) personal items in the workplace that have been published in corporate newsletters, art magazines, and other specialty publications and websites. He also wrote a pamphlet entitled “How To Respond After An Earthquake” of which over 500,000 were distributed in Los Angeles, through the human resource departments of the Bank of America after the Northridge Earthquake.
He has been personally involved in nine “major” California disasters: three earthquakes (Silomar ‘71, Whittier ‘89 and Northridge ‘94), four fires (Santa Barbara ’90, 2 in 2008 and Oakland ‘93) and one flood (Santa Barbara ’95) and has consulted with people on innumerable other accidents nationwide.
He is the expert (www.preservationcoach.com), providing important (essential!) information to assist businesses protect and save: intellectual and creative property, collections and collectibles, important letters/certificates/awards, memorabilia, photos, books and other company assets that reflect the corporate culture, most of which are not insurable. He addresses in his writings and assessments managing the risks of damage or loss due to water damage, mold, vandalism, fires, earthquakes, floods, hurricanes, tornadoes, leaking water heaters… and Father Time!
Scott is currently consulting with cities, counties (parishes) and companies within the Gulf States on Hurricane Preparedness. He is also working with contacts in Mexico to take the message of preparation and saving important personal items to their Gulf States.
Also, you will find us on Facebook: “Fine Art Conservation” Mural Art Conservation” “Save Your Stuff”
See YouTube videos under “Preservationcoach” and “bestartdoc”
Conservator of Fine Art
January 1986 to Present: FACL, Inc. (Fine Art Conservation Laboratories) in Santa Barbara, California. Director, Chief Conservator of facility which specializes in the conservation of easel paintings (panel, fabric), murals (affresco, tempera, oil), works of art on paper and period frames. FACL, Inc. performs services for clients throughout the United States. The moveable artwork is treated in the 2400 sq. ft. Santa Barbara laboratory. On-location projects (murals, surveys) are performed each year. The laboratory is equipped with an 8′ x 12′ hot table, suction tabletop, polarizing microscope and an infrared reflectometer. An extensive amount of consultation work is performed including collection surveys, authentication studies, exhibition and acquisition needs.
February 1984 – January 1986: Chief Paintings Conservator for Art Conservation Laboratories of Santa Barbara, Inc. a privately funded regional conservation lab servicing collections throughout California. Director of all conservation procedures for paintings and paper including treatments, documentation, research.
September 1978 – February 1984: Conservator of Fine Arts at Brigham Young University, Provo, Utah. The facility primarily serviced the Permanent Art Collection of BYU and the Museum of Church History and Art of the Church of Jesus Christ of Latter-Day Saints in Salt Lake City, Utah. Responsibilities included the organization of the new 3500 sq. ft. lab in 1978, administration of the program, Chief Conservator, head of Conservation Committee, participant on the Acquisitions Committee.
October 1977 – October 1978: Internship at Ex Monastero della Trinitá Museum. Worked on affrescos, panels and canvases under Mr. Paolo Bacchin, Conservator (ICCROM, UNESCO).
October 1975 – October 1978: Three year art conservation program at Lombardy regional conservation center, Ente Nazionale A.C.L.I. Istruzione Professionale, in Botticino (Brescia), Italy. Program recognized and supported by the Istituto Centrale del Restauro (ICR) in Rome. Instruction emphasis on easel paintings, affrescos (murals) and polychromed sculpture. Degree awarded with honors. Master’s Degree Equivalent in US
Special Studies and Professional Activities
2007: Advanced cold lining updates workshop with Vishwa Mehra and Matteo Rossi Doria. One week workshop with senior conservators in Skaneatelous, NY
1997 – 2000: Conservator for the General Services Administration, US Government, Indefinite Quantity Contract for artwork on paper in all federal buildings in the US.
1997 – 2000: Conservator for the General Services Administration, US Government, Indefinite Quantity Contract for paintings in federal buildings in 25 Western states. 3 year contract
1996: Author of book: How To Save Your Stuff From A Disaster, Preservation Help Publications, 220 pgs, 100 illustrations and photos, 8 1/2″ x 11″ www.preservationhelp.com
1994: Author of pamphlet: How to Respond to an Earthquake, Conservation Materials Ltd., almost 500,000 copies distributed in LA area. Printed and distributed in response to Northridge Earthquake.
1991: Conference on suction table technology and use. One week seminar at the Conservation Analytical Laboratory at the Smithsonian Institution in Washington, D.C.
1987: Ongoing : Reviewer of grant /requests proposals for the Institute of Museum and Library Services, US Government.
1986: Ongoing: Teaching of seminars, workshops and professional exchanges with Italian Conservation Centersin Venice and Brescia (Botticino) sponsored by respective government programs of the provinces.
1984: In addition to the experience of gilding while in Italy (frames and polychromed sculpture), advanced experience in gilding with Mr. William Adair of Gold Leaf Studios, Washington D.C. have taken place many times since 1984 in the form of workshops and actual conservation/gilding projects.
1979 and 1981: Microscopy for Art Conservators, McCrone Research Institute. Week of studies centered on the use of the polarizing microscope for the identification of pigments, fibers and other materials.
1978 – 1984: While at Brigham Young University, began studies on the preservation of works of art on paper.Worked on pastels, watercolors, engravings and sketches from the Mahonri M. Young Collection at BYU. Periodic collaboration was given by the Paper (Book) Conservation Laboratory at the Harold B. Lee Library and by extended visits by Mr. Joe Nkruma, Paper Conservator of the Kunstmuseum, Bern, Switzerland.
(AIC) American Institute for Conservation of Historic and Artistic Works
Since 1978 Professional Associate Member,
1993 – 94 Conservators in Private Practice, Chairperson
1990 – 93 CIPP, Vice Chairperson, Program Chairperson
Since 1978 Associate Member, International Institute for Conservation
Since 1978 Member, Western Association for Art Conservation:
1984 – 85 Board of Directors
1983 – 84 President
1982 – 83 Vice President
Shroud of Turin Research Project, Consultant and Participant
Institute of Museum Services (U.S. Gov’t) grant proposal reviewer
Collection Surveys Conducted – Short List
A collection survey is a documented review of all or a specialized part of a collection, often requiring written reports, computer database set up and usage, designing of custom survey and other documentation forms, photography. Often times, surveys can be required after disasters as part of emergency response to assess damage.
Texas Southern University (TSU), Houston, Texas
The General Service Administration, US Government
Department of Transportation
City of Dallas, Fair Park
The Historic Mission Corporation, Riverside, CA
The Mission Inn Foundation, Riverside, CA
Art Museum, University of California at Santa Barbara, CA (IMS and GCI funding)
Santa Barbara Museum of Art, Santa Barbara, CA
Bain Investments International, Los Angeles, New York, London, Tokyo
Eicholtz Estate Collection, Santa Ynez, CA
Leigh B. Block Collection, Santa Barbara, CA
Brigham Young University, Provo, UT, Permanent Art Collection
State of Utah Art Collection, Utah Arts Council, SLC, UT
Historical Division, Church of Jesus Christ of Latter Day Saints, SLC, UT
Daughters of the Utah Pioneers Museum, SLC, UT
Brigham City Museum, Brigham City, UT
Cavriana Archaeological Museum, Cavriana, Italy
Montini Family Collection Pope Paul III, Lumezzane, Italy
Invite me to speak at your conference, put on a workshop or help you fundraise!
References and Previous Clients
This section lists contacts for some of the murals projects recently completed:
Hopi Murals at Painted Desert Inn Water and Light
Ronald P. Treants, R.A. Project Specialist John Cassidy, Manager
Denver Service Center – National Park Service City of Burbank
12795 W. Alameda Pkwy 275 East Olive Ave.
Lakewood, CO 80228 Burbank, CA 91510
(303) 969 2326 (818) 238 3656
Siqueiros Mural North Visitor’s Center in SLC, UT
Diana Du Pont, Curator Ken Carlson
Santa Barbara Museum of Art Missionary Exhibits Department
1130 State St. 430 W. 400 N.
Santa Barbara, CA 93101 Salt Lake City, UT 84103
(805) 884 6419 (801) 240 0204
Fair Park, Dallas, Texas Nancy T. McCoy, Architect
Louise Elam, Park and Rec. Dept. Nancy T. McCoy Preservation Architecture
1500 Murilla 1207 Tranquilla Dr.
Dallas,,TX 75201 Dallas, TX 75218
(214) 670 5275 (214) 321 1885
Mr. James Druzik Perry Huston, Conservation
Getty Conservation Institute Perry C. Huston and Assoc.
1200 Getty Center Dr, #700. 2626 Lombardy Ln.
Los Angeles, CA 90049-1684 Dallas, TX 75220
Tel. (310) 440 6824 (214) 366 4740 mobile
Carl Grimm, Director of Conservation William Minter, Conservator
De Young Museum RD 1 Box 99
50 Tea Garden Dr. Woodbury, PA 16695
South San Francisco, CA 94118 (814) 793 4020
(415) 750 3645
William B. Adair Albert Albano, Conservator
Gold Leaf Studios 2995 Montgomery Rd.
443 “I” St. N.W. Shaker Heights, Ohio, 44122
Washington DC 20001 (216) 658 8709
(202) 638 4660
FACL, Inc. does conservation work for art galleries in Carmel and Monterey, San Francisco, Beverly Hills, Los Angeles, Laguna Beach, Santa Monica, Santa Barbara, and Hawaii. We also do work for Bonham and Butterfield Auction House (L.A. and S.F), Moran Auctioneers in Alta Dena, CA.
FACL, Inc. provides services for private clients (collectors) throughout the United States including the San Francisco Bay area, the Carmel/ Monterey area, Phoenix AZ, the Los Angeles area, Chicago, Texas, New York.
American Institute for Conservation (AIC), Professional Associate member (member since 1978) Participation has included talks and presentations at annual meetings. Activity also includes participation in the Paintings Specialty subgroup and in the Conservators in Private Practice subgroup for which I was Vice Chair from 1990 to 1993. I was Chairperson for the 1993-1994 year. During my three years as Vice Chair, I organized the annual meetings in Albuquerque, N.M., Buffalo, N.Y. and Denver, CO. As a professional member of AIC, I have pledged to uphold the Code of Ethics and Standards of Practice.
International Institute for Conservation (IIC), Associate member since 1978. Attendance at several meetings at international locations over the years and have participated with talks.
Western Association for Art Conservation (WAAC), member
1984 – 85 Board of Directors, 1982 – 83 Vice President, 1983 – 84 President
Organized the annual meeting in 1983 in Oakland, CA and 1984 in Santa Barbara, CA. Participation has included talks and presentations at annual meetings.
Shroud of Turin Research Project: Consultant and Participant.
Institute of Museum Services (U.S. Gov’t): grant proposal reviewer.
Santa Barbara City College, teacher since 1988 – 1998.
Class entitled, “Preserving Your Treasured Family History Possessions.”
Teacher/Presenter/Lecturer – Professional Exchange with Italian Conservation Centers in Venice, Brescia – 1990 to present
ENAIP Conservation Center, Lombardy Province, Botticino Italy
Centro di Restauro per I Beni Culturali, Veneto Province, Venice, Italy
Publications, papers given and seminars presented have been many. See separate sheet.